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GREGORY FELDMANN baritone
“Gregory Feldmann displayed an heroic baritone, with virile top notes in his superb Hamlet, from his extrovert drinking song – where he drowns himself in a cocktail of drink and drugs – to his interior monologue, “Être ou ne pas être” (Thomas’ take on “To be or not to be”)”--Bachtrack
"Gregory Feldmann was equally eager and confident as Guglielmo, bringing an elegant, rich baritone capable of expressing rage as readily as romance. His comic gifts were especially evident as he railed against feminine perfidy while simultaneously extolling his own virtues and attractions."--Seen and Heard International
"Baritone Gregory Feldmann was a single-minded, passionate Demetrius...He possesses a secure, firm voice with a pleasing lyricism and expressivity that he used intelligently to fashion his character. His outbursts of anger could be deliberately quite amusing"-- OperaWire
"Feldmann, a relatively recent Juilliard graduate, showed his Lieder-singing chops in the Viennese fare, his tone robust, his diction crisp...he shifted effortlessly into Broadway belting in 'Love Song' from Weill's Love Life"---The New Yorker
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