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GREGORY FELDMANN baritone
“Gregory Feldmann displayed an heroic baritone, with virile top notes in his superb Hamlet, from his extrovert drinking song – where he drowns himself in a cocktail of drink and drugs – to his interior monologue, “Être ou ne pas être” (Thomas’ take on “To be or not to be”)”--Bachtrack
"Baritone Gregory Feldmann was a single-minded, passionate Demetrius...He possesses a secure, firm voice with a pleasing lyricism and expressivity that he used intelligently to fashion his character. His outbursts of anger could be deliberately quite amusing"-- OperaWire
“And –what diction, what sense of narration, everything in the words, the nuances, the look, the body language. No need to understand or know English or German to hear the pain, the exaltation, the transport of love, the hope for the aftermath that manifest themselves in Vaughan Williams and Brahms. The piano becomes a poet, perfectly tuned to the singer.”-- OperaForum
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